An installation artist, book-binder, photographer, curator and writer who, through the use of text, photographic documentation and interactive audience participation, investigates notions of archiving, repetitious actions, such as typing and printing, lexicality and translation, by exploring the role of the artist as a curator, and participants as collaborators.

Additional theoretical research lies in the domain of British, South and East Asian contemporary art, interpretation and curatorial practices.

Order, obsession, repetition and form where the simplicity is the complexity.

Find out my current thoughts at:

http://rachelmarsdenwords.wordpress.com